ACT V - SIMONE

Sculpted to embody our intention of creating a beautiful, simple object that cradles light, it diffuses an upward glow, subtly revealing a discreet elegance. Inspired by early 20th-century Japanese lacquer master Seizo Sugawara, who imparted his techniques to designers such as Eileen Gray and Jean Dunand, this piece gracefully translates his influence into glaze, bringing together the spirit of old craft and Modernism.

ACT IV - FRANCIS

The Francis Collection draws inspiration from the simplicity of Jean-Michel Frank’s parchment partition and the artistry of Eileen Gray’s hand-lacquered folding screens. It resonates with the broader Modernist movement, subtly intertwining influences from Japonisme and Orientalism. Every piece is crafted with meticulous attention, evoking an heirloom quality through its restrained elegance. The rich tones of cream and tobacco brown glass bring depth to the delicate forms, creating a harmonious interplay of light and volume. With its understated design, the Francis Collection appeals to those who appreciate refined beauty and quiet sophistication.

ACT III - LUCIENNE

In our latest collection, we draw inspiration from the Art Nouveau interiors and furniture, specifically by the architectural mastery of Charles Rennie Mackintosh and his iconic Hill House in Glasgow.  Referencing Mackintosh's ornate use of glasswork with a pared-back modernist approach, our pieces reflect a harmonious blend of bold intricate line-work, complemented by delicate features. Influence from the Austrian Decorative Arts Movement can also be felt throughout the collection, particularly inspired by Koloman Moser's exquisite coffers, silver jewelry boxes, and writing desks. Guided by stylized ironwork and delicately patterned accents, this series embodies both purity and understated elegance.


The Lucienne Collection stands as a manifestation of past craftsmanship and modernity, where historical inspiration from Mackintosh and Moser, alongside refinement, coalesce in austere simplicity.

ACT II - L'EAU

L’EAU finds its origin in the fluid contours of late 19th-century Art Nouveau, a movement devoted to forging a direct conversation between art and the natural world. Here, those once-intricate silhouettes are distilled into precise, contemplative forms, recalling the Modernist quest for purity and restraint. Sculpted in clay and fired to enduring stoneware, each piece affirms a thoughtful dialogue between maker and material. With a steadfast hand towards simplicity, L’EAU embodies refined, enduring elegance

CLIENT SERVICES

For inquiries regarding quotations, trade pricing, or to simply introduce yourself, we invite you to contact our client services team.