The Julien Collection is a study in proportion—bold, grounded, and refined. Drawing from the monumental forms of Lachaise and Botero, and shaped by the compositional clarity of Modernist and Bauhaus ideals, each piece balances fullness with restraint. The silhouette is sculptural yet disciplined, offering a quiet tension between volume and line. In parchment glaze, the surface reveals a soft craquelure—an imprint of fire and time. In amber black, the form deepens, absorbing light into its curvature. Whether mounted or standing, Julien carries its weight with poise—composed, present, and enduring.

L’EAU finds its origin in the fluid contours of late 19th-century Art Nouveau, a movement devoted to forging a direct conversation between art and the natural world. Here, those once-intricate silhouettes are distilled into precise, contemplative forms, recalling the Modernist quest for purity and restraint. Sculpted in clay and fired to enduring stoneware, each piece affirms a thoughtful dialogue between maker and material. With a steadfast hand towards simplicity, L’EAU embodies refined, enduring elegance

Anaïs draws from the architectural spirit of the Vienna Secession and the motifs found in Koloman Moser’s work. Translucent, opaline glass is framed within a deep black base and patinated silver alloy. At its tip, a single square of amber glass anchors the piece—a subtle focal point that recalls the jewel-like inlays of turn-of-the-century decorative arts. Anaïs embodies a studied elegance, merging modernist restraint with artisanal nuance to offer a delicate form shaped by proportion and subtle detail.

There is a quiet tension in its construction. The glass diffuses light with a restrained radiance, seeming to hold illumination in suspension. Its surface, softly veiled, blurs the edge between form and atmosphere. This sense of fragility is not ornamental, but integral—a stillness captured through careful attunement. Anaïs offers an ephemeral presence, like a fragment of architecture lit from within, poised between the material and the immaterial.

Sculpted to embody our intention of creating a beautiful, simple object that cradles light, it diffuses an upward glow, subtly revealing a discreet elegance. Inspired by early 20th-century Japanese lacquer master Seizo Sugawara, who imparted his techniques to designers such as Eileen Gray and Jean Dunand, this piece gracefully translates his influence into glaze, bringing together the spirit of old craft and Modernism.

The Francis Collection draws inspiration from the simplicity of Jean-Michel Frank’s parchment partition and the artistry of Eileen Gray’s hand-lacquered folding screens. It resonates with the broader Modernist movement, subtly intertwining influences from Japonisme and Orientalism. Every piece is crafted with meticulous attention, evoking an heirloom quality through its restrained elegance. The rich tones of cream and tobacco brown glass bring depth to the delicate forms, creating a harmonious interplay of light and volume. With its understated design, the Francis Collection appeals to those who appreciate refined beauty and quiet sophistication.

In our latest collection, we draw inspiration from the Art Nouveau interiors and furniture, specifically by the architectural mastery of Charles Rennie Mackintosh and his iconic Hill House in Glasgow.  Referencing Mackintosh's ornate use of glasswork with a pared-back modernist approach, our pieces reflect a harmonious blend of bold intricate line-work, complemented by delicate features. Influence from the Austrian Decorative Arts Movement can also be felt throughout the collection, particularly inspired by Koloman Moser's exquisite coffers, silver jewelry boxes, and writing desks. Guided by stylized ironwork and delicately patterned accents, this series embodies both purity and understated elegance.

The Lucienne Collection stands as a manifestation of past craftsmanship and modernity, where historical inspiration from Mackintosh and Moser, alongside refinement, coalesce in austere simplicity.

Introducing the Inès Collection, a homage to the artistry of late 19th-century Lalique perfume vessels and Diego Giacometti’s bespoke floral wall brackets for Guerlain, circa 1930s. This series embraces a serene romanticism with ornate detailing resulting in an object that is both minimal yet opulent.

Each piece celebrates the beauty found in architectural relics, fragments, and timeworn vessels. With a simplicity of form and richness of texture, the intertwining petals create a sculptural composition that delicately holds and radiates light.